Arnold died at home on Monday morning, March 16, 2015, six days after his seventy-third birthday. About three hundred people came to the funeral at Rose Mortuary on March 18, and he was buried in the New Jewish Cemetery in Knoxville. What follows are the eulogies given that afternoon and tributes written since, by his rabbi, his cousins, his oldest friends, and his congregation, kept here with the family's permission.
Friends left messages on the tribute wall at Rose Mortuary. Mary Linda Schwarzbart's Legacy Project, the site she kept from 2017 to document his work and the placing of his archive, has been folded into this one.
Obituary
Knoxville News Sentinel, March 2015
Arnold Schwarzbart, Avrum 'Sruel ben Yitzchak Aryeh v Frumme Ratzah, beloved husband of Mary Linda and devoted friend, passed away on Monday morning, March 16, 2015, at home.
Rabbi Greenspan served Heska Amuna Synagogue early in his career. Years before, Arnold had asked him to come back and give the eulogy when the time came.
There is a Midrash that claims that every person has a letter in the Torah. Arnold had an entire name: Betzalel. Betzalel wasn't his Hebrew name, he was Avrahm S'ruel, but he was the gilgul, the reincarnation, of the biblical Betzalel. Moses oversaw the building of the tabernacle but Betzalel was the artist who had the talent and the vision to embody faith in objects of beauty. Betzalel literally means "in the shadow of God."
He was our Betzalel, combining skill with an ever growing knowledge of our tradition, as well as the ability to do so in a selfless way. His work was more than "art." It was the way in which he worshipped God.
A promise kept
Rabbi Mark Greenspan, Yom Kippur Yizkor sermon, September 2015
Six months later, still recovering from surgery, Rabbi Greenspan told his own congregation on Long Island how he had come to give the eulogy.
The toughest moment came about five weeks after my surgery when I received a call from Knoxville, Tennessee informing me that my dear friend, Arnold Schwarzbart, had passed away. In my first years in the Rabbinate, Arnold had a huge influence on me, opening me to a whole world I hadn't learned about in rabbinical school. When I left Knoxville, Arnold asked if I would come back to give his eulogy "when the time came." Even though he was relatively young I knew he was serious so I said yes. Over the years, we continued to talk and three years ago when I learned that he was on dialysis, Marilyn and I traveled to Knoxville so I could spend time with him. In the course of our conversation, I said, "Arnold, do you remember what you asked me to do when the time comes; does that still hold?" and he said, "Yes."
I could have said, "No." Arnold's wife would have understood that I was recuperating from surgery and couldn't walk. But this was important to Arnold and it was important to me. It was a promise. Arnold felt I had something to say about him that no one else could say. So I booked a flight and arranged for assistance in the airport. I flew to Knoxville, delivered the eulogy, and flew back in the same day, and all while standing on one foot.
Arnold's greatest work of art was his life. He did everything with great care and presence. Most of all, he never took a relationship for granted, no matter how humble or important the other person was. Life was not just lived; it was something he perfected each day.
A Jew of magnificence
Jeff Becker, eulogy, March 18, 2015
A good and steady hand, a deep understanding of Judaism, and a thirst for a creative outlet led Arnold to make beautiful and meaningful Judaica. Starting with ceramic Chanukiot, candle holders, Kiddush cups, and Mezuzot, Arnold transitioned into gorgeous painted Kiddush cups and personalized medallions. His art was extensive and covered many media.
It was hard when he looked at you with those deeply penetrating eyes and said: "I don't think so!" This was Arnold's way of being honest and straight-forward and it took some getting used to. But once you realized that his affection was true, that his care for his friends was totally sincere, then one could accept his friendship and wisdom as a meaningful gift.
A special spirit
Martin J. Gruenberg, cousin, eulogy, March 18, 2015
Arnold’s was a special spirit that evolved and grew over the course of a remarkable life.
He was born in Eastern Europe in the midst of the Holocaust, and spent his early childhood in Vienna.
As a young boy he came to the United States, and had to adapt to a new country, a new culture, and a new language.
In Knoxville he met at a young age the love of his life, Mary Linda. They were two perfectly matched spirits who completed each other.
At the University of Tennessee, Arnold’s sharp eye and wonderfully steady hand led him to the study of architecture.
The same sharp eye and steady hand led him eventually to his life’s calling as an artist.
As I’m sure everyone here is familiar, Arnold’s work combined a contemporary aesthetic beauty with deep historical and ritual content.
I always felt that his work reconnected him with the world of Eastern European Jewry from which he came.
His work as an artist, to me, was a statement of survival, continuity, and ultimately triumph.
Anyone who visited Arnold and Mary Linda’s home entered a world of their creation – beautiful, warm, kind, generous, tolerant, and loving.
When Mary Linda called me Monday morning I was in a meeting and asked if I could call her back in just a few minutes. When I finished the meeting and could focus, it dawned on me that it was unusual for her to call me at work on a Monday and I had a twinge of concern.
When I reached her and learned that Arnold’s journey had come to an end, I was shocked and saddened.
As I’ve thought about it these past couple of days, I focus on the fact that every time I come home I walk past Arnold’s Mezuzah on the doorpost, I see the Ketubah that Arnold hand-crafted for our wedding on the wall in our dining room, we use his candlesticks to light the Shabbat candles, and we have his Kiddush cup to say the blessing over the wine.
Even though we lived far apart, these are things that always made me feel close to Arnold and Mary Linda, and they always will.
Surviving Well in America
Alan Gruenberg, cousin, eulogy, March 18, 2015
Imagine a nine year-old boy, arriving in Knoxville, fluent in German, Polish, Russian, and a bit of Yiddish, and entering Park Lowry Elementary School, middle school, and then, Knoxville East High School. Of course, Arnold found a way to excel in math and science and industrial arts and design.
I always remember Arnold's mother speaking to us. Thanks G-d, Frieda would say. As for Arnold, I say thanks G-d for giving us Arnold, and thanks G-d for giving us Mary Linda, and thanks G-d to Knoxville and thanks G-d for giving us life.
The Canadian connection
Alain Schwarzbart, cousin, eulogy, March 18, 2015
I am the Canadian connection and I am the youngest cousin on Arnold’s father’s side. What can I add to what has already been said. I can stand here and extol and praise Arnold’s virtues all day. I cannot help but feel grateful for the time I spent with Arnold and jealous of the cousins who had the opportunity to spend much more time with him. My family’s love for Arnold is an extension of the love that my father and Arnold’s father had for each other. They were the only survivors of the Holocaust from their immediate family. The love was also felt in our own family for Arnold and Mary-Linda. My wife Hilary expressed it well when she said, whenever she entered the home of Arnold and Mary-Linda, she felt a positive and loving energy and always wanted to come back.
My sons also had the same experience and feelings for Arnold and Mary-Linda, for they inspired them to greater heights and achievements. Arnold’s presence in our lives only enriched them with his dry sense of humor, his stories, his generosity and his love. During our last visit with Arnold and Mary-Linda last year, despite his frailty, he spent hours with us talking until the early morning, an experience that we will never forget.
Arnold’s light has forever filled the vessels of our souls and also of our homes with the beautiful artistry that was his.
From the congregation
Members of Heska Amuna Synagogue, collected for the funeral service
When I first ventured in to Heska Amuna in August 2008, Arnold and Mary Linda welcomed me warmly and from that day on have educated me in ways to live Jewishly that couldn't be learned from reading books.
He always had an answer for me, an explanation or reference to a source. His mind never declined. He taught me so much through medium and story. His words had depth and wit. His art many dimensions.
When Arnold was President, congregational announcements became a highlight of the morning. The information was all there. But coming from Arnold, they became tiny stories. We laughed. People glowed with compliments. We could not help but listen. We felt like a large family hearing about family news and plans and hopes.
The enameled brass Kiddush cup that I frequently use on Friday night, reminding me of his many works of Judaica, and especially those he gave to my sons as encouragement to remain active in the synagogue's prayer services. The small collection of used Sabbath wick holders, of foil and cork, that he asked to save for him, as symbols of ritual, constancy, and time, for the piece of art he envisioned.
Arnold was a wise old man even when he was young. I always looked to Arnold for calm, thoughtful, even-handed and wise counsel. His was a voice that most often quietly saw the best course to take. He encouraged many, many of us to step into leadership positions in the community and thus insured the continuity of many of our most important institutions. And he backed us up with the support he had promised.
Arnold was one of those people who embodied both wit and wisdom.
There are no words
Herman Saatkamp, friend since the fourth grade, 2015
Herman Saatkamp, a philosopher who became president of Stockton University, was seated behind Arnold in the fourth grade at Park Lowry Elementary because their names came together in the alphabet.
Arnold thought of himself as an artisan. His works consist of small as well as monumental structures. No detail too small and no angle of meaning, light, or color too large to omit and handle with care. Many of us have his works in our homes, and they greet all our guests with Arnold's knowing hands and look.
Thinking of the mountains I realized how words, thoughts, numbers, and works only dance on the outlines of a mountainous life whose depth is as solid and lasting as our East Tennessee mountains. Arnold you are missed and the world is less wondrous without you. Although, now I see those penetrating eyes and hear that soft voice, "I don't think so." For once, you are wrong.
Arnold
Ted Pearson, classmate, May 16, 2016
I met him when I was nine In a churchyard without sunshine He was from Russia by way of Vienna We played together just the two of us
We were in school together From elementary through college I remember his wit and his brain With his head and his hands he could do anything
He married a friend of my wife They had gone to school together like Arnold and I He was an architect, she worked with computers Two bright lights together as one
But the straight lines didn’t satisfy him He started to paint, sculpt and carve His subjects were now pieces of art His love of God by way of his heart
The synagogue held his objects of decoration To show the beauty of God’s creation Receptacles of light, hands in a wall Picture of a bird that needed no words
His works were treasured by many Both Jews and Gentiles His commissions were plenty He used his gifts in response to God
He survived the holocaust, this Russian Jew Gifted by God with talents not few To glorify God with his head and his hands His new home in a far distant land
Early in life he was exposed to a disease Rarely seen today it is treated with ease It took him away, too early it seems But not before he could live out some of his dreams
By Ted Pearson 05/16/2016 Mary Linda, I hope you are doing well. Attached is something that I have composed about Arnold and I wanted to share it with you. Ted
R.I.P. Arnold Schwarzbart
Jack Neely, Knoxville Mercury, March 25, 2015
He was once best known here as a prominent modernist architect, the designer of unusual structures like the Knoxville Zoo's main building and the LT Ross public building, but for the last 30 years, he was an artist, or "artisan," the term he preferred. In terms of international acclaim, hardly any contemporary Knoxville artist was his equal.
About 300 attended his funeral last week, and one of the several speakers remarked, credibly, that it was likely that most of the people in the room had some of Schwarzbart's artwork in their homes.
William B. Campbell, PhD, P.E., former president of the Appalachian Zoological Society, March 18, 2015
Arnold won my respect and admiration many years ago during the Knoxville Zoo expansion. His guidance was fundamental to the success that was initiated, and that continues today. His contributions will not be forgotten, nor surpassed easily. He will be missed.
A menorah
Mendel Wilhelm, his godson, 2017
I remember when Arnold built a menorah with me. I still have it and will be doing some repairs so I can use it this Chanukah.
Srul ben Yitzchak Aryeh and the Sofer
A story told about Arnold, from the family's papers
Srul, short for Yisrael, was Arnold's Hebrew name at home.
Rav Teitelbaum, a Sofer from New York, was hired by a Shul in the South to inspect their Torahs. After careful examination, Rav T. deemed most needed repair and a general cleaning: the ink of letters were fading, some letters had become detached from the parchment, and grime had collected. Interested in the art of the Sofer --- how the quills were fashioned from feathers, the quality of the black ink, the cleansing of the parchment, and the beautiful form and flow of the lettering --- Srul ben Yitzchak, a faithful member of the Shul who by his own right was an artist and scholar, sat by the Sofer as the Torahs were rendered Kosher again. Over the course of many days of observation, Srul grew to respect the Rav’s deep knowledge of every word, letter, and tittle of the Word of God (or perhaps God’s divine inspiration). One fine day, Rav T. commented on the strange clothing worn by members of the Hare Krishna sect that he saw during his travels. Srul observed in turn: “So Rav T., and what about your black gabardine long coat, fedora with a big brim, and your flowing beard that was the apparel of Polish Noblemen in the 18th Century?” Rav T. thought about Srul’s observation and retorted: “the Chevre back at the Yeshiva would like to have you visit and study with them.” Srul declined the invitation. He had learned the scribal arts and applied them to his own craftsmanship. Srul was content in the attire of his generation as well. And so it should be with you, wise reader.
The eulogies are reproduced from the speakers' own texts, lightly corrected for typing errors.